A comprehensive vocal production plug-in based on analog processors
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VOICE is the new Gem plug-in designed for vocal processing.

VOICE offers a comprehensive and streamlined vocal production workflow, based on analog processors, including:


a Mic Preamplifier (4 models)

a Tape Simulator (3 tapes + 3 special modes)

a Vocal Enhancer

a De-Boxer and a De-Esser

a Dynamic Processor with compressors (5 models) and an expander-gate

an Equalizer (5 models)

a Space Processor / Reverb Unit

an Analog Delay

a Master Section with an optional Limiter

an inteactive Dynamic Display

an interactive EQ Display






The Gem VOICE is designed to speed up your vocal production workflow, with no compromise on sound quality, thanks to the Overloud award-winning analog emulation technology.


You can create a full vocal sound chain with a few clicks or select the setup of your preferred producer to replicate his tone!


All the parameters are accessible with a single click on the main panel, for a quick and streamlined operation: no submenu navigation!




February 2021 update

Get the vocal chains of the 6 x Grammy Award winner Brian Vibberts!

Download the preset file and drag it into the Gem Voice bank list.

The MIDIhead bank has been updated with 16 new presets for music and narration!



The Gem VOICE includes more than 70 presets created by multiple Award-winning engineers like Joe Barresi, Brian Vibberts, John Paterno and Michele Canova, with their best vocal processing chains.


The presets are designed for male and female, lead and background vocals as well as spoken voice.


Overloud Voice is the perfect tool for Voice-over works, podcasts and video narrations. It includes lots of presets that will give your voice the professional edge.


The MIC PREAMP models a 4 different real mic preamplifier enriching the input sound with the renowned harmonics of the selected model.


The TAPE SIMULATOR reproduces the typical tape recording harmonic distortion of three different kind of tape: 1/4", 1/2" and 2". It can be also used in three special modes: Flutter, Vocal Dist and Fuzz.


When the voice recording seems to lack presence and isn’t cutting through the mix, or even if it just sounds weak, then it’s worth adding some amount to the ENHANCER. You will appreciate how vocals will get extra definition and brilliance, without being overdone. The Enhancer only uses harmonics that naturally exist in the original tracks.


This module is a specific double filter to attenuate voice artefacts from mic recordings. Both filters work as dynamic processors.

The DE-BOX is a dynamic control of the lower-mid part of the frequency spectrum. Boxy vocals contain too much low frequency energy and lack the proper excitement needed to cut through the mix. The De-Box processor dynamically removes this low-mid excess.


The DE-ESSER focuses on sibilant sounds letting you to control their prominency. Thanks to its AI-Based detector, it sounds incredibly transparent and it is not level-dependent.


The Auto Cue function automatically puts the De-Box or the De-Esser filter in solo while you drag one of its knobs. This allows you to listen the frequencies that the filters are processing.


The COMPRESSOR module is based on five different Compressor models, including FET, Optical and Tube processors.


The LF Sens control allows to adjust the low frequency sensitivity of the processor, in order to have an optimal tracking for male and female voices.


It also contains an Expander-Gate processor: at low settings it cleans the input track. At higher setting it can be used as a creative tool.


The 4-band EQUALIZER is modeled on legendary EQs: you can choose 4K, British, German and Proportional Q. Both Shelving and Peaking mode can be selected for the low and high bands.

In addition, the Band-Limit model allows to recreate phonograph / megaphone effects.


The Equalizer parameters can also be set by acting graphically on the curve.


According to the most recent mixing trends, the SPACE module uses very short multilayer impulses, instead of a reverb, to enhance the dimension and the placement of the voice in the mix. Designed by MoReVoX (the REmatrix sound designer), this unique processor gives a new vibe to the tracks.

In addition, the Space also offers the impulses of many classic reverb units from the ‘70s to the ‘90s.


A DELAY module is often used on vocals instead of a reverb, both sync’d to the song tempo, or out of sync, to add width without loosing clarity.


The MASTER section allows to adjust the final level and the number of output channels. It also contains an optional LIMITER, which is placed pre-master out, useful to keep the level always under the 0dBFS.


The GRAPHIC DISPLAY has two views: EQ and Compresor. The EQ view displays the equalizer's curve: the curve can be graphically edited. It also displays the realtime spectrum of the input track, in order to visually see where the prominent frequencies lay.


When the COMP view is selected, you can see the level curve on the lower side, and the Compressor gain reduction level on the top side, over time. You can easily monitor how the compression is responding to the level peaks.


Voice is available as AudioUnit, VST, AAX64 (ProTools 11 andAbove) plugins, as well as a standalone application.


Only the 64bit are natively supported for macOS 10.15Catalina compatibility.

From version 1.0.3 it is natively compatible with AppleSilicon (except AAX).

You can authorize Voice on up to three computers that youown and one USB stick with a simple one-click software procedure (no hardwarekey needed).







Macintosh Intel Core i3 1.4GHz with 4Gb of RAM, 1280x800video.

Mac OS X 10.9 Mavericks and above are supported.







Voice is available as VST, AAX64 (ProTools 11 and Above)plugins, as well as a standalone application.

32bit and 64bit are natively supported except AAX32.

You can authorize Voice on up to three computers that youown and one USB stick with a simple one-click software procedure (no hardwarekey needed).







Core i3 1.4GHz with 4Gb of RAM, 1280x800 video.

Windows Vista, Windows 7, Windows 8 and Windows 10 aresupported.









ProTools 11 and above

Logic Pro 9 and above 

Cubase 6 and above

Ableton Live 6 and above

Digital Performer 7 and above

Nuendo 5 and above

MainStage 2 and above     

Garage Band 10 and above  

Final Cut Pro X 10 and above 

Studio One



ProTools 11 and above

Cubase 6 and above

Ableton Live 6 and above

SONAR X3 and Platinum

Digital Performer 7 and above

Nuendo 5 and above

Studio One


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