Have It Your Way!
PreSonus’ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.
Now we’ve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonus’ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DP’s solid-state stage.
XMAX™ Class A Preamplifiers to Go
At PreSonus, we know that the mic preamplifier is a key component in the sonic quality of a recording. That’s why the BlueTube DP V2 includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that are suitable for use with all types of microphones.
The job of a microphone preamplifier in an audio interface is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results.
But with XMAX preamps, the sonic quality is limited only by what microphone you plug into it.
XMAX preamplifiers are built with three key elements:
- High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
- Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
- Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs, solid deep lows, and everything in between.
The tube path features a 12AX7 tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. We’ve done an assortment of other tweaks as well. The result: Our BlueTube DP V2 offers lower noise, more high-end clarity, and an even smoother tube sound than its predecessor.
The 12AX7 is a miniature dual-triode vacuum tube with high voltage gain that was developed around 1946 by RCA engineers. It was first released for public sale in 1947 — and hasn’t changed design since.
Part electronic fabrication, part glass-blowing, and part voodoo, tube manufacturing is nearly a lost art — only four major factories in the world still produce the 12AX7!
All 12AX7 vacuum tubes are not created equal. The tubes in the BlueTube DP V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. (Microphonics occur when the charged elements in a vacuum tube vibrate, changing the distance between the elements. This causes charges to flows in and out of the tube, as they do in a condenser microphone, creating electrical noise and, potentially, feedback.)
The Essential Features—and More!
You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.
A Tube Drive control provides a wide range of sounds: when it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when it’s engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.
Versatile and Affordable
With two combo mic/instrument inputs, the half-rackspace BlueTube DP V2 is a great choice for guitars and basses as well as for vocals. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.—no guitar amp needed. It also serves as a DI box, thanks to balanced XLR and unbalanced ¼” outputs, and is housed in a new, rugged, 1/2U case.
Try the BlueTube DP V2 as a front end for a DAW, too; sure, your recording interface might already include preamps, but few of them give you both tube and solid-state operation.
We have also updated the preamp’s compact, rugged enclosure; it has more rounded edges and looks modern and sleek. It can be used as a desktop unit or it can be screw-mounted to a standard rack tray.
And despite the improvements, we deliver the BlueTube DP V2 for essentially the same price as the original BlueTube DP.
So get the new and improved version of the most versatile, best-sounding mic/instrument preamplifier in its price range: the BlueTube DP V2.
- 2 input channels, each with:
- High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
- 12AX7 vacuum tube gain stage
- Tube Drive tube-saturation control
- 48V phantom power
- 80 Hz high-pass filter
- -20 dB pad to reduce hot input levels
- Polarity-reverse switch
- Illuminated analog VU input-level meter
- 2 balanced combo mic/unbalanced instrument inputs
- 2 balanced XLR main (L/R) line outputs
- 2 unbalanced ¼” main (L/R) line outputs
- Compact 1/2U chassis
- External 12 VDC, 1A power supply
|XLR Microphone Impedance
|1⁄4” Instrument (Hi-Z) Impedance
|THD+N (unweighted), solid-state
|THD+N (unweighted), tube stage
||0.01% to 30%
||XLR and ¼” TS
|External Adapter Type
||+12 VDC, 1A, center pin positive
||1/2U rack-mountable (screw-mount to standard rack tray, not included)
||1.75” (44.45 mm)
||5.5” (139.7 mm)
||9.5” (241.3 mm)
|Road-rugged construction with all-metal chassis and metal knobs