PreSonus StudioLive RML16AI Rack-Mounted Digital Mixer | ADK Pro Audio | 423-254-0492 | This is the Pro Audio gear and Digital Audio Workstation you've been looking for
 
Search
Filters
Close

PreSonus StudioLive RML16AI Rack-Mounted Digital Mixer

16-input Rack-Mount Digital Mixer with Active Integration. StudioLive RML16AI: The networkable, rack-mount, mixing and recording solution.

Region Availability-United States

This product can be purchased by US Customers

USA payment options - All Major Credits Cards and Paypal.

Financing options available for US customers only.

Manufacturer part number: RML16AI
GTIN: 673454004773
Manufacturer: PreSonus
$799.95

Versatile and flexible for live and recorded sound.

Equally, at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML16AI rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

 

Features

Inputs and Outputs

  • 8 locking XLR mic inputs and 8combo locking XLR mic-¼” TRS line inputs, each with:
    • Recallable XMAX Class A analog mic preamps
    • +48V phantom power
  • Stereo tape input (RCA jacks)
  • 8 XLR line-level Mix outputs
    • Four 300 ms alignment delays on the last four Mix outputs
  • 1 DB25 jack mirrors 8 line-level Mix outputs
  • 3 XLR main outputs (left, right, mono/center) with analog trim pots
  • S/PDIF digital output on removable option card
  • Headphone output with volume knob and selectable source
  • 1x1 MIDI I/O (for future implementation)

Channels and Buses

  • 32 internal channels
  • 25 mix buses
    • 16 aux mix buses
    • 3 main mix buses (left, right, mono/center)
    • Stereo solo bus
    • 4 internal FX buses (2 reverb, 2 delay)
  • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)

UC Surface Live Mixing and Control Software

  • Designed specifically for live sound mixing
  • Multiplatform support for Mac ® , Windows ® , and iPad ®
    • Windows 8/10 multi-touch-compatible for large touchscreen mixing
    • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
  • Contextual-based navigation for quick, intuitive access to all mixing functions
  • 8 Mute Groups with All On and All Off
  • Scene Store and Recall
    • Global Scene Storage: all current StudioLive RML settings
    • Up to 99 at a time
    • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
    • Automatic Global AutoStore
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
  • Individual channel-strip setting storage
    • Up to 100 at a time, plus…
    • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
    • Copy and paste among channels and buses
    • Can be saved as user presets
    • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
  • Contextual Presets System
    • Presets filtered by Channel Types
    • Quickly audition presets on the fly
    • Edit auditioned preset before loading
    • Exit Audition mode with out loading to return to previous settings
    • Save and load presets on all platforms including iOS
  • Filter DCAs
    • Unlimited groups
    • Automatic group creation using Channel Types
    • Custom groups
  • Security features to monitor and restrict access to the mixer’s controls

Other Actively Integrated Software

  • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
  • Studio One ® Artist full-featured digital audio workstation software (Mac/Windows)
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Networking Connections

  • 2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.
  • SL-Dante-Mix option card available separately
  • Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house console

Signal Processing

  • Dual Fat Channel signal processing on all channels and buses with:
  • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only)
  • Variable lowpass filter on the mono/center bus
  • 4-band fully parametric EQ
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec
  • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Pan
  • Stereo link for input channels and aux buses
  • Polarity reverse (input channels only)
  • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
  • 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

Hardware Controls

  • 32 LED meter grid
  • Front-panel Mute All button temporarily mutes all inputs and outputs
  • +48V Meters button to display phantom power assignment on the meter grid
  • Headphone source selection between Main and Cue
  • StudioLive CS18AI AVB control surface available separately

Digital

  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1, 48, 88.2, 96 kHz

Physical

  • 3U rack-mount steel chassis

 

 

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.

Mac

  • Mac® OS X 10.8.5 64-bit or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • FireWire S800 (IEEE 1394b) port or Thunderbolt port with FireWire S800 adapter
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 30 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2


Android

  • Android™ 5.0 (Lollipop) or later
  • Android smartphone (QMix-UC)
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Technical Specifications

Microphone Preamp

 
Input Type 8 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line
Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu
Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu
Input Impedance 1 kΩ
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB
Gain Control Range (±1 dB) 0 dB to +65 dB
Maximum Input Level (unity gain) +22 dBu
Phantom Power (±2 VDC) 48 VDC, switchable per channel

Line Inputs

 
Type ¼” TRS Female (via Combo), Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-wtd) > 114 dB
Dynamic Range (mid. gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.005%
Input Impedance 10 kΩ

Tape Inputs

 
Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +12 dBu

Main Outputs

 
Type XLR Male, balanced
Rated Output Level +24 dBu
Output Impedance 100Ω

Mix Outputs

 
Type XLR Male, balanced
Rated Output Level +24 dBu
Output Impedance 100Ω

Headphone Output

 
Type ¼” TRS Female, active stereo
Maximum Output 100 mW/ch. @ 60Ω load
Frequency Response 20 Hz – 20 kHz (± 0.5 dB)
THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

 
Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)
Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)

Noise Gate / Expander

 
Threshold Range -84 dB to 0 dB
Attack Time 0.02s to 500 ms / 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1 (fixed)
Noise Gate Attenuation Range -84 to 0 dB
Key Filter 2nd-order, resonant bypass; Q=0.7
Key Listen Off, 40 Hz to 16 kHz

Compressor

 
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1,000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

Limiter

 
Threshold -56 dB to 0 dB / -28 dBFS
Ratio ∞:1
Attack 20 ms
Hold 10 ms
Release 20 ms

Parametric EQ

 
Type 2nd-order shelving filter
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB
High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Q (sweepable for each band) 0.1 to 4 / Low Q= 0.55, Hi Q=2.0

Graphic EQ

 
31-Band 1/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
Gain/Attenuation ±15 dB

Digital Audio

 
ADC Dynamic Range 118 dB (A-wtd, 48 kHz)
DAC Dynamic Range 118 dB (A-wtd, 48 kHz)
FireWire S800, 800 Mb/s
S/PDIF Output RCA Female
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48, 88.2, 96 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu

Clock

 
Type JetPLL™
Jitter <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation >60 dB (1 ns in, 1 ps out)

Power/Environmental

 
Connector IEC
Input-Voltage Range 90 to 240 VAC
Power Requirements (continuous) 200W
Recommended Ambient Operating Temperature 0° to 40° Celsius / 32° to 104° Fahrenheit

Physical

 
Rackspaces 3U
Height 5.25” (13.34 cm)
Width 19” (48.26 cm)
Depth 10.5” (26.67 cm)
Weight 19 lbs. (8.62 kg)

As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

 

 

Versatile and flexible for live and recorded sound.

Equally, at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML16AI rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

 

Features

Inputs and Outputs

  • 8 locking XLR mic inputs and 8combo locking XLR mic-¼” TRS line inputs, each with:
    • Recallable XMAX Class A analog mic preamps
    • +48V phantom power
  • Stereo tape input (RCA jacks)
  • 8 XLR line-level Mix outputs
    • Four 300 ms alignment delays on the last four Mix outputs
  • 1 DB25 jack mirrors 8 line-level Mix outputs
  • 3 XLR main outputs (left, right, mono/center) with analog trim pots
  • S/PDIF digital output on removable option card
  • Headphone output with volume knob and selectable source
  • 1x1 MIDI I/O (for future implementation)

Channels and Buses

  • 32 internal channels
  • 25 mix buses
    • 16 aux mix buses
    • 3 main mix buses (left, right, mono/center)
    • Stereo solo bus
    • 4 internal FX buses (2 reverb, 2 delay)
  • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)

UC Surface Live Mixing and Control Software

  • Designed specifically for live sound mixing
  • Multiplatform support for Mac ® , Windows ® , and iPad ®
    • Windows 8/10 multi-touch-compatible for large touchscreen mixing
    • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
  • Contextual-based navigation for quick, intuitive access to all mixing functions
  • 8 Mute Groups with All On and All Off
  • Scene Store and Recall
    • Global Scene Storage: all current StudioLive RML settings
    • Up to 99 at a time
    • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
    • Automatic Global AutoStore
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
  • Individual channel-strip setting storage
    • Up to 100 at a time, plus…
    • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
    • Copy and paste among channels and buses
    • Can be saved as user presets
    • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
  • Contextual Presets System
    • Presets filtered by Channel Types
    • Quickly audition presets on the fly
    • Edit auditioned preset before loading
    • Exit Audition mode with out loading to return to previous settings
    • Save and load presets on all platforms including iOS
  • Filter DCAs
    • Unlimited groups
    • Automatic group creation using Channel Types
    • Custom groups
  • Security features to monitor and restrict access to the mixer’s controls

Other Actively Integrated Software

  • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
  • Studio One ® Artist full-featured digital audio workstation software (Mac/Windows)
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Networking Connections

  • 2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.
  • SL-Dante-Mix option card available separately
  • Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house console

Signal Processing

  • Dual Fat Channel signal processing on all channels and buses with:
  • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only)
  • Variable lowpass filter on the mono/center bus
  • 4-band fully parametric EQ
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec
  • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Pan
  • Stereo link for input channels and aux buses
  • Polarity reverse (input channels only)
  • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
  • 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

Hardware Controls

  • 32 LED meter grid
  • Front-panel Mute All button temporarily mutes all inputs and outputs
  • +48V Meters button to display phantom power assignment on the meter grid
  • Headphone source selection between Main and Cue
  • StudioLive CS18AI AVB control surface available separately

Digital

  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1, 48, 88.2, 96 kHz

Physical

  • 3U rack-mount steel chassis

 

 

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.

Mac

  • Mac® OS X 10.8.5 64-bit or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • FireWire S800 (IEEE 1394b) port or Thunderbolt port with FireWire S800 adapter
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 30 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2


Android

  • Android™ 5.0 (Lollipop) or later
  • Android smartphone (QMix-UC)
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Technical Specifications

Microphone Preamp

 
Input Type 8 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line
Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu
Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu
Input Impedance 1 kΩ
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB
Gain Control Range (±1 dB) 0 dB to +65 dB
Maximum Input Level (unity gain) +22 dBu
Phantom Power (±2 VDC) 48 VDC, switchable per channel

Line Inputs

 
Type ¼” TRS Female (via Combo), Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-wtd) > 114 dB
Dynamic Range (mid. gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.005%
Input Impedance 10 kΩ

Tape Inputs

 
Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +12 dBu

Main Outputs

 
Type XLR Male, balanced
Rated Output Level +24 dBu
Output Impedance 100Ω

Mix Outputs

 
Type XLR Male, balanced
Rated Output Level +24 dBu
Output Impedance 100Ω

Headphone Output

 
Type ¼” TRS Female, active stereo
Maximum Output 100 mW/ch. @ 60Ω load
Frequency Response 20 Hz – 20 kHz (± 0.5 dB)
THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

 
Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)
Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)

Noise Gate / Expander

 
Threshold Range -84 dB to 0 dB
Attack Time 0.02s to 500 ms / 0.5 ms
Release Time 0.05s to 2s
Expander Attenuation Range 2:1 (fixed)
Noise Gate Attenuation Range -84 to 0 dB
Key Filter 2nd-order, resonant bypass; Q=0.7
Key Listen Off, 40 Hz to 16 kHz

Compressor

 
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Attack Time 0.2 ms to 150 ms
Release Time 40 ms to 1,000 ms
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

Limiter

 
Threshold -56 dB to 0 dB / -28 dBFS
Ratio ∞:1
Attack 20 ms
Hold 10 ms
Release 20 ms

Parametric EQ

 
Type 2nd-order shelving filter
Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB
High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Q (sweepable for each band) 0.1 to 4 / Low Q= 0.55, Hi Q=2.0

Graphic EQ

 
31-Band 1/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
Gain/Attenuation ±15 dB

Digital Audio

 
ADC Dynamic Range 118 dB (A-wtd, 48 kHz)
DAC Dynamic Range 118 dB (A-wtd, 48 kHz)
FireWire S800, 800 Mb/s
S/PDIF Output RCA Female
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48, 88.2, 96 kHz
A/D/A Bit Depth 24
Reference Level for 0 dBFS +18 dBu

Clock

 
Type JetPLL™
Jitter <20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation >60 dB (1 ns in, 1 ps out)

Power/Environmental

 
Connector IEC
Input-Voltage Range 90 to 240 VAC
Power Requirements (continuous) 200W
Recommended Ambient Operating Temperature 0° to 40° Celsius / 32° to 104° Fahrenheit

Physical

 
Rackspaces 3U
Height 5.25” (13.34 cm)
Width 19” (48.26 cm)
Depth 10.5” (26.67 cm)
Weight 19 lbs. (8.62 kg)

As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

 

 

Write your own review
  • Only registered users can write reviews
  • Bad
  • Excellent
Product tags