Quantum 2626

 Quantum 2626

Get the Band Back Together

The Speed of Sound

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the “fastest audio interfaces on the planet.” Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its best—whether you’re recording with or without your favorite plug-ins engaged in real-time.

Timeless audio

Every design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking—coupled with our ultra-transparent, pure analog XMAX preamps—result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms*).

*192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7 running macOS 10.12.5

Superior Sound

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

Expansive audio

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface’s ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

Award-winning recording software included

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

The Quantum leap.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio’s size, Quantum audio interfaces will streamline your recording process—you’ll make better music, faster.

Features

General Features

26x26 Thunderbolt 3 ultra-low-latency audio interface

<1 ms roundtrip latency*; record direct to DAW with your favorite plug-ins engaged

24-Bit/192kHz Operation with high-quality 115 dB A/D/A converters

Studio One Artist and Studio Magic plug-in bundle included

Flexible Connectivity

Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)

8 pristine XMAX preamps

2 Instrument Inputs

8 balanced line inputs

Dual headphone outputs with independent level control

Balanced stereo main outputs with independent level control

8 DC Coupled balanced line outputs

2 preamp direct outputs with returns to insert outboard gear

Main Output Level Control

Balanced Stereo Main Output (TRS)

Eight Balanced Line Outputs (TRS (outs 1 & 2 share a DAC with the main output))

Two Preamp Outputs (channels 1 & 2)

Two Line Returns (channels 1 & 2)

ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz

Stereo S/PDIF coaxial input and output

Digitalia

Thunderbolt 3 high-speed bus

24-bit resolution and up to 192 kHz sampling rate

BNC word clock input and output with low-jitter clocking

MIDI I/O

Physical

Road-rugged construction with all-metal chassis and metal knobs

1U rack-mountable

12 VDC external power supply (included)

*192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7 running macOS 10.12.5